CDs released on Sound Punch collectively typify Philip Brophy's
bent on music production, composition and performance. Neither overtly
'experimental' nor outrightly commerical', they mostly connect to
his audiovisual explorations in films, installations and other sites/events.
Cinema is generally referenced either in the music, the conceptualization
of the projects, or sometimes simply as a point of departure of
oblique refereence. Many of these musical projects connect to Philip's
published writing on film sound/music - archived online.