Article series on relationships between 20thC music & movie soundtracks. Published in THE WIRE, London. For further info on THE WIRE go to: http:// www.dfuse.com/the-wire
 


Cinematic Electronica Part 1:
Reverberant Oscillators In Outer-Space

published in The Wire No.158, April, 1997, London

Cinematic Electronics Part 2:
Schizo Scherzos & Psycho Synths

published in The Wire No.160, June, 1997, London

Asia Minor & Other Eastern Modes Part 1:
The Skin of the Human Drum

published in The Wire No. 161, July, 1997, London

Asia Minor & Other Eastern Modes Part 2:
Sukiyaki, Chow Mein, Minestrone
published in The Wire No.162, August, 1997, London

Collapsing Music Into Image Part 1:
Musique Concrete, Electronica & Sound Art

published in The Wire No.164, October, 1997, London

Collapsing Music Into Image Part 2:
Noise, Noise, Noise

published in The Wire No.165, November, 1997, London

Black Holes on the Soundtrack Part 1:
Scoring Cross-Town Traffic

published in The Wire No.166, December, 1997, London

Black Holes on the Soundtrack Part 2:
From New Worlds to Nu Skools

published in The Wire No.167, January, 1998, London

Picturing Atonality Part 1:
Birth of the Monstrous

published in The Wire No. 168, February, 1998, London

Picturing Atonality Part 2:
Death of the Natural

published in The Wire No. 169, March, 1998, London

Between Song & Score Part 1:
Rock Operas of Violence

published in The Wire No. 170, April, 1998, London

Between Song & Score Part 2:
Remapping Recordings Onto The Screen

published in The Screen The Wire No. 171, May, 1998, London

The Advent of Muzak Part 1:
Base Emotions

published in The Wire No. 172, June, 1998, London

The Advent of Muzak Part 1:
Beautiful Nothingness

published in The Wire No. 173, July, 1998, London

Pornographic Music Part 1:
The Sound of Erotica

published in The Wire No. 174, August, 1998, London