Series
Sound
Series of articles on the film soundtrack - published in Film Comment, New York
- 2002>>
Wire:
Cinesonic
Series of reviews of film music CDs - published in The Wire, London - 2003 >>
Cinesonics
Series of articles on sound in the cinema - published in Real Time, Sydney -
1997 to 2001
The
Secret History of Film Music
Series of articles on 20th Century music in the cinema - published in The Wire,
London - 1997 to 1998
Articles
/ talks
The
Non-Event of Sound in Video Art
reprinted in VIDEO LOGIC, Museum of Contemporary Art, Sydney, 2008
EVAPORATED MUSIC, Revoicing & Gendered Vocalization
Unpublished talk delivered in
conjunction with the exhibition VIDEO LOGIC, Museum of Contemporary Art, Sydney, 2008
CITIZEN KANE: The sound of the look of a 'visual masterpiece
published in Music & The Moving Image, Vol.1 No.3, University of Illinois Press, Champaign
Where Sound Is: Locating The Absent Aural in Film Theory
published in The SAGE Handbook of Film Studies, Sage Publications, London, 2008
Sonic
- Atomic - Neumonic: Apocalyptic Echoes in Japanese
Animation
published in Illusion of Life 2 - Essays
on Animation, Power Publications, Sydney, 2007 (from original
presentation at the Illusion of Life conference,
Sydney 1995)
How Sound Floats on Land: The Suppression & Release of Folk & Indigenous Musics on the Cinematic Terrain
edited version reprinted in BEYOND THE SOUNDTRACK,
University of California Press, 2007
Pseudo Soundtracks - The Myth of INventive Audiovision in Experimental Cinema
Unpublished keynote talk
for the Totally Huge New Music Conference, Perth, 2007
PUNCH-DRUNK
LOVE - From Muzak to Prozac & Beyond (extended
from entry in 100
MODERN SOUNDTRACKS)
published in FFWD Magazine No.4,
January, Rome, 2007
MAGNOLIA
- Vocal Noise, Multiplied Music and Song-As-Narrative
(extended
unpublished lecture from 100
MODERN SOUNDTRACKS) Royal Holloway
University of London, 2006
AKIRA:
Post-atomic landscapes & post-sonic mindscapes
(extended
unpublished lecture from 100
MODERN SOUNDTRACKS) University of
Liverpool, UK, 2006; Queensland Art Gallery, Brisbane, 2006
THE
CONVERSATION: Invisibility, Silence & Inner Emptiness
(extended
unpublished lecture from 100
MODERN SOUNDTRACKS) University of Minnesota,
Minneapolis, 2005; University of Iowa, Iowa City, 2005
THE
COLOUR OF POMMEGRANATES: Lyrics, Icons and Other Musical States
(extended
unpublished lecture from 100
MODERN SOUNDTRACKS) Fordham University,
New York, 2005
RESIDENT EVIL: Neural Sound
Design and Noise Attacks
(extended
unpublished lecture from 100
MODERN SOUNDTRACKS) Storytelling:
Interactivity, Sound & Music, AFTRS, Sydney, 2005
THE EXORCIST: Satanic Vocalization & Bodily Sounds
(extended
unpublished lecture from 100
MODERN SOUNDTRACKS) Screen Studies & Research,
AFTRS, Sydney, 2005
Aural
Gazing: Recent Japanese Audio-Vision
Curated
programme for Experimenta's VANISHING POINT exhibition,
Australian Centre for the Moving Image, Melbourne, 2005
Cine-Rock:
An Embarassment of Riches
CD notes to Morpho's MORPHO, Doctor
Jim Records, Melbourne,
2005
ARASHI
GA OKA: The Sound of the World Turned Inside-Out
Japanese Horror Cinema, Edinburugh University Press, Edinburugh,
2005
Celluloid
Symphony
published in Beomag
(The Bang & Olufsen Magazine), Winter 2003, Melbourne
Sounds
of Sex & Violence
Unpublished talk
delivered at Adelaide International Film Festival,
Adelaide, 2003
Noise & Conduction
(With Passing Reference to the Absence of Ideas in
Australian Cinema)
published
in METRO No. 127, Melbourne, 2001
Baby,
You're The Right Kind Of Wrong: Pop Music, Cinema & Other
Holes
published in Photofile No.66, Sydney, 2002
Suburbia
CD notes for the Underground Lovers' MALLBOY soundtrack CD, 2001
Local
Noise: Sound & Music in Australian Cinema
published in Real Time No.43, Sydney, 2001
Body Mats & Super Slams: Sport, Sound & Violence
unpublished
notes from talk presented at the 4th CINESONIC: International
Conference on Film Scores & Sound Design, Melbourne,
2001
Funny Accents: The Sound of Racism
published in CINESONIC: Experiencing The Soundtrack,
AFTRS Publishing, Sydney, 2001
How Sound Floats on Land: The Suppression & Release of Folk
& Indigenous Musics on the Cinematic Terrain
published in CINESONIC: Cinema & the Sound of Music,
AFTRS Publishing, Sydney, 2000
In
Memorium: Jack Nitzsche
published in Senses of Cinema No.9 - Melbourne, 2000
Being
Blind: A Polemical Manual for Using New Audiovisual
Technologies
published in Iris No.27 - special issue on the state of sound studies, Paris,
1999
I
Scream In Silence: Cinema, Sex & the Sound of Women Dying
published in Cinesonic: The World of Sound in Film, AFTRS Publishing, Sydney, 1999
Dolby
Stereo: Issues of Sound & Silence In Recordable Space
unpublished
talk/slide-lecture delivered @ IMMERSION, Treasury Theatre,
Melbourne, 1999
Music,
HEAT & the soundtracks of Michael Mann
unpublished talk delivered @ for John Manogios Lecture Series,
Kaleide Cinema, Melbourne, 1998
Spatial
Logic & Dimensionality in Film
catalogue introduction for unpublished talk delivered @
Sound In Space, Museum of Contemporary Art, Sydney, 1995
Aspects
of Sound & Music in Indigenous Cinema
unpublished talk delivered @ the Indigenous Narrative Drama
Initiative, AFC, Melbourne, 1995
Sonic
- Atomic - Neumonic: Post-Apocalyptic Echoes in
Japanese Anime
paper
presented at the 2nd International Conference on Animation, Sydney, 1995
Read
My Lips: Notes on Film Dialogue
published
in Matters Of Style - Continuum Vol.3 No.3, Perth, 1992
The
Animation of Sound
published
in The Illusion Of Life: 1st International Conference on Animation, Power Publications,
Sydney, 1991
The
Architecsonic Object: Stereo Sound, Cinema & COLORS
published in Culture, Technology & Creativity In The Late 20th Century, John
Libbey Press, London, 1990
Film
Narrative / Narrative Film / Music Narrative /
Narrative Music
published in Cinema Papers No.71, Melbourne, 1989
The
Non-Event of Sound in Video Art
published in Scan No.1, Sydney, 1989
