Record Production & Phonology

1	Record Production 1	Listening examples include: Andrew Sisters; Judy Garland; Judy London; Glen Miller; Duke Ellington; Hans Salter
	Processess & Considerations	Production personnel & historical formations; presence/definition in vocal/orchestral recordings; the sound of live orchestras & large ensembles; the encoding & rendering of 'live'

2	Record Production 2	Listening examples include: Herb Alpert; Bert Kaemfert; Sergio Mendes; Burt Bacharach; Link Wray; Duane Eddy; The Venture
	Production Technique in Muzak	OVerlooked experimentation in studio production - Muzak; Easy Listening; Exotica; Lounge; instrumental music & the compensation for vocal absence; forwarding aural detail as phonology

3	Record Production 3	Listening examples include: Age Of Love; Microglobe; Ilsa Gold; Paperclip People; Ultramarine; Influid III; Hyper On Experience
	The Digital Domain	Analogue/digital relations; the advent of MIDI and virtual aurality; frequency expansion in the numerical matrix; non-apparent construction; hyper-fragmentation

4	Record Production 4	Listening examples include: Black Sabbath; Led Zep; ACDC; Buzzcocks; Shellac; Herbie Hancock; ZZ Top; Young Gods; Iggy Pop
	Recording the Rock Band	Live set-ups; incorporating iconic presences of guitar sounds; configuring spatial relations between instruments; defining wholes through parts

5	Record Production 5	Listening examples include: King Crimson; Cluster; Bowie; Wire; Lou Reed; JesusMaryChain; Age of Chance; Loop; Sonic Youth; Eno
	Deconstructing the Rock Band	Transforming the recognizable sounds of instruments; re-defining instruments' sonic perimeters; fusing and integrating disparte sonics; extending the act of post-production